tag:blogger.com,1999:blog-21729431.post4032375746398498396..comments2023-05-26T21:13:27.096-05:00Comments on If at first you don't succeed...: Why Rhythms?gottagopracticehttp://www.blogger.com/profile/08112740396190991150noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-21729431.post-70854275164296620442007-05-21T22:48:00.000-05:002007-05-21T22:48:00.000-05:00Thanks for 'splainin, Lucy.Thanks for 'splainin, Lucy.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-21729431.post-31321500256529462872007-05-21T15:13:00.000-05:002007-05-21T15:13:00.000-05:00Enjoyed your rhythms and your explanations. My flu...Enjoyed your rhythms and your explanations. My flute teacher worked on rhythms like this with me years ago, and my cello teacher introduced them for Lully's Gavotte (the fast middle part) in Suzuki book 3. You are more disciplined than I am though; I haven't used them consistently since then. Perhaps your video will inspire me. I do think it is a valuable technique.Maricellohttps://www.blogger.com/profile/14901229998799205736noreply@blogger.comtag:blogger.com,1999:blog-21729431.post-34528658520070414622007-05-21T14:44:00.000-05:002007-05-21T14:44:00.000-05:00Yes, I do the rhythm thing too when I'm struggling...Yes, I do the rhythm thing too when I'm struggling with a run. <BR/><BR/>Though one of our orchestra tutors told my technique class that it's better to try to add one note at a time, in tempo, than it is to practise things slowly and then speed up, because your bowing style is completely different when you're playing slowly and it doesn't actually help a whole lot.<BR/><BR/>I don't know, depends on what you're working on I suspect.Anonymousnoreply@blogger.com