I'm not sure my heart's completely in it, but with the resumption of cello lessons my Fall season has started in earnest. We spent more than half the lesson talking about summer adventures and assessing where I am now and where I would like to go next. Then T- did something he almost never does, and that I have never encouraged: he went through my part in the Gaubert and worked out reasonable fingerings and bowings. My first teacher used to spend entire lessons fingering my parts, which I came to consider a major waste of time. But this was a real blessing, and saved me three or four hours of struggling.
After the marking I played for about 10 minutes, focusing on the first phrase. If I were to roughly summarize the steps we went through:
* Get the fingerings down
* Practice the bow gestures by air bowing while fingering the notes. Pay particular attention to where the bow speed changes, and where on the bow the notes are played. Play freely, with large muscular gestures.
* Play the phrase with attention to the musical elements. Focus on what I can "not do" (i.e. release tension) in order to make it sound the way that I want.
I left feeling inspired, and confident that I can learn this piece to play it for coaching in the next two weeks.
This is the agenda that I prepared before the lesson:
Goals with datesAdult Chamber Music Weekend Oct 20/21 flute/cello/piano trio
Haydn
Trio in D Hob XV:16Von Weber
Trio in g Op 63Lully
Suite arr. Cheret and ModzelewskaGaubert
Soir d’ Automne Orchestra concert Nov 7
Berlioz
Roman Carnival OvertureElgar
Enigma VariationsSuzuki teacher training audition tape – by Feb 2008
Faure
ElegieAdditional RepertoireBeethoven
Sonata Op 5 No 2 (g min)Schumann
Fantasy PiecesGliere
10 DuetsCurrent Warm-up and technical baselineOpen string long bow exercise
...mm=60: 2 counts/bow,4,8,16,try 32 all strings up and down
Sevcik Op 8 one exercise/one string/day
...Ex. # based on day of month
...String based on day of week Su C, Mo G, Tu D, W A, Th D, F G, Sa C
Scale
...One scale/week, alt Maj and min
...Mm=88 acceleration pattern
...Arpeggio (I), 3 fingerings
...Thirds, first two octaves
...One additional specific goal each week (decide in or after lesson)
Thumb position
...Swan on thumb
...Grutzmacher 13 and/or sight read song or etude
...Offenbach
Grand Duo Concertante Op 46 Bach 2nd Suite
...One or two phrases/week for technical elements
...Speed development outside of lessons
...Rotating review of chunks outside of lessons
Etudes
...?
...Would like to design etudes based on technical needs of repertoire in addition to or instead of assigned etudes
Adjunct scheduleMON Piano semi-private lessons
TUE Alexander Technique, ?piano trio rehearsal
WED Voice class, church orchestra rehearsal
THU cello lesson, HS Orchestra rehearsal
SUN church performance, flute/cello/piano trio rehearsal